Creeptober Night 2: The Texas Chain Saw Massacre (1974)

Day 2 continues with another classic.

The Texas Chain Saw Massacre is unrelenting.

Table of Contents

I wanted to start this year’s Creeptober with back-to-back classics, but I wanted two horror movies that feel very different. So, for today’s movie I picked a film that is as perfect in its execution as Halloween, but in an extremely different way. Creeptober Night 2 focuses on The Texas Chain Saw Massacre.

Reacting to The Texas Chain Saw Massacre

The Texas Chain Saw Massacre (1974)
Days and nights on set were apparently long and sweltering.

The Texas Chain Saw Massacre is a work of unbridled terror. This is in sharp contrast to the masterful suspense of a movie like Halloween, but it is no less effective. That’s not to say there isn’t suspense in TCM. But more often than not, TCM goes from calm and quiet to loud and frantic in a split-second. That, plus the strong undercurrent of pitch-black humor, are its strengths.

The Texas Chain Saw Massacre (1974)
Finding the right balance of humor and horror is tough.

Many people might balk at the idea that The Texas Chain Saw Massacre has humor. For years I didn’t see it either, but it’s definitely there. Director Tobe Hooper even talks about it briefly in the commentary on the Blu-ray. He co-wrote the film with Kim Henkel, and when talking on the commentary track about constructing scenes, Hooper said that, “when it was funny to us, we knew it was right.”

The Texas Chain Saw Massacre (1974)
I’m using the character names as listed in the credits of the 1974 film, not as they’re usually retroactively used in online discourse. So, this is the Old Man, not the Cook, and not Drayton Sawyer.

You can absolutely see this humor in the movie during moments like when the Old Man subdues Sally with a broom, or when Grandfather can’t hold onto the hammer, and even when Leatherface is running around the house worried about all the strangers walking through the front door. The Texas Chainsaw Massacre 2 (1986) leans too hard into the comedy in my opinion, but the dark humor in the 1974 film works brilliantly. Combining the gritty and realistic tone of the film with the absurdity of some of the family’s actions creates a supremely unsettling experience.

The Texas Chain Saw Massacre (1974)
Truly one of the best endings in horror.

But also, the terror is unrelenting in the final sequences. From the moment Leatherface pops up in front of Franklin and chainsaws the poor guy, there’s barely any time to catch your breath. Sally’s detour into the gas station seems like the only moment of respite, but that’s actually one of the most prolonged moments of suspense. For the most part, the final third of the movie is all screams, chainsaws, torture, and chases. It’s overwhelming, but it’s overwhelming in the right way. By the end, Sally’s maniacal laugh is absolutely warranted.

The Texas Chain Saw Massacre Trivia

Today’s trivia comes from the commentary track on The Texas Chain Saw Massacre Blu-ray which features director and co-writer Tobe Hooper, cinematographer Daniel Pearl, and Gunnar Hansen aka Leatherface.

The Texas Chain Saw Massacre (1974)
The Hitchhiker’s description of head cheese is grotesque.

The first fact I’ll bring up is something I think many people are aware of. One of the title considerations for The Texas Chain Saw Massacre was Leatherface. For obvious reasons, Gunnar Hansen expressed disappointment in the commentary that they didn’t go with that title. Another consideration for the title of the movie was Head Cheese. I actually kind of like how that title represents the movie, but Texas Chainsaw Massacre is definitely a better name for an ongoing franchise.

The Texas Chain Saw Massacre (1974)
It’s kind of hard to get a PG rating when you have scenes like this. Even though we don’t actually see the hook go into Pam’s back, it’s still a brutal scene.

Many people will rightly notice a relative lack of blood throughout The Texas Chain Saw Massacre. One of the main reasons for that is because Tobe Hooper was shooting for a PG rating. He didn’t get it, and the movie was released with an R rating.

The Texas Chain Saw Massacre (1974)
The chainsaw used throughout production (they only had one) was real and dangerous. Gunnar Hansen said that there were times when the live chainsaw was just inches away from an actor’s head.

Part of the reason for the R rating was surely because of the overall tone of the film, but there is also a bit of on-screen gore. One of the few moments we actually see flesh being cut is in the final scene when Leatherface is chasing Sally and the truck driver on the main road. Leatherface falls, and his chainsaw lands on his leg. The way they did that effect was by securing a metal plate to Gunnar Hansen’s leg and placing some meat and a blood pack on top. Gunnar said that the metal plate got so hot when the chainsaw landed on it that he thought he’d actually been cut.

The Texas Chain Saw Massacre (1974)
Gunnar said that he caught up to Sally a few times while shooting this scene because she was so slow getting into the truck. Even in the released film you can see Leatherface taking a slightly indirect route and still getting right next to her.

Gunnar also talked about how slow of a runner Marilyn Burns was. When Leatherface chases Sally at night, Gunnar said that he had to keep stopping to avoid catching up to her. When you watch the scene, you can see Leatherface stopping every few seconds to cut branches. Marilyn’s slow run is the reason why!

The Texas Chain Saw Massacre (1974)
Are there real bones on this bench? Probably so.

The human skeletons we see in the movie are apparently real. Tobe Hooper said in the commentary that it was cheaper to buy real skeletons from India rather than fake ones from the United States. Hooper’s comments sound a lot like Frank talking about skeletons at the beginning of The Return of the Living Dead. Doing a little digging, exporting human skeletons was a multi-million dollar business in India throughout the 1970s, and many of them were stolen from graves.

Meet The Author

Chris has a degree in film studies at Temple University’s campus in Tokyo, Japan. He is a renowned expert on horror cinema.