In 2026, Of Course Margaret White Is a MAHA “Parent’s Rights” Influencer

A woman in a blue plaid shirt sits in a wooden chair speaking toward a smartphone mounted in a ring light in a dimly lit home.

Stephen King‘s Margaret White has always been one of horror’s scariest mothers, a religious zealot who abuses her daughter in God’s name.

Mike Flanagan’s new Prime Video series keeps all of that, but updates her for the algorithm era. Flanagan wrote the role with Samantha Sloyan in mind, and her Margaret is deeply religious and believes in a global cultural war against her beliefs. One reviewer found it hard not to draw parallels with the conservative fearmongering that proliferates across social media, noting that for Margaret, every conspiracy under the sun is true.

In this version, the conspiracies go well beyond sin. Margaret rants about red 40 dye, treating a food additive with the same dread she once reserved for her daughter’s body. Then, after Carrie’s father dies and she’s thrust into public high school, Margaret finds a new calling. She buys a ring light and starts filming videos about parents’ rights, while Carrie cringes in the kitchen behind her. You can see where the trajectory leads: give her enough followers, a merch line, and a PAC, and Margaret White is announcing a run for Congress.

Wide shot of a vintage-style kitchen: a woman sits at a table facing a ring light and phone, while a teenage girl with long red hair stands near the stove.
A wide shot of the dimly lit kitchen captures Margaret at the table with her ring-light setup as a long-haired young woman enters the room in Carrie (2026).

What makes the joke work is how little she has to change. Margaret was always about purity and contamination, and about a world out to corrupt her child. Swap “sin” for “toxins” and the pulpit for a phone camera, and she fits right in.

Of course, it’s a joke about a fictional character, and plenty of parents’-rights and food-safety advocates would call the comparison a caricature of a much broader movement. The series itself seems to agree it shouldn’t be that simple. Flanagan said he went in determined not to hate Margaret, and Sloyan describes her as loving Carrie above all else, even while she meets fear with war.

A woman with short brown hair speaks toward a smartphone mounted in a ring light on a tripod, seated in a wooden chair in a dimly lit home.
Samantha Sloyan’s Margaret White records herself with a ring light and smartphone in Mike Flanagan’s Prime Video series Carrie (2026).

That’s the unsettling part: she’s not a cartoon. Stephen King praised the series, saying what it says about social media is shocking and true. Margaret, with her ring light and her certainty, may be the clearest example.

Meet The Author