Obsession Star Inde Navarrette Says Gen Z Wants Movies Where They Don’t Feel Like They’re Being Sold

Updated

Inde Navarrette and Curry Barker speaking onstage at the 2026 Toronto International Film Festival

Inde Navarrette says Gen Z wants movies that make room for human experience without making the audience feel like a sales target. The Obsession star pointed to advertising and product placement while discussing what brings young people to theaters.

2026 Toronto International Film Festival - DIALOGUES The OBSESSION Obsession With Curry Barker And Inde Navarrette
Inde Navarrette takes the stage at the 2026 Toronto International Film Festival’s Obsession panel at Metro Toronto Convention Centre on September 11, 2026. Photo by Frazer Harrison / Getty Images.

“Gen Z just wants to go to something that they don’t feel like they’re being sold,” she said. She acknowledged that her generation grew up enjoying and quoting commercials for brands including State Farm and Aflac, but added: “We want original stories.”

Obsession gave that argument a box-office example. The horror film, starring Navarrette and Michael Johnston, earned $522 million worldwide after being made for less than $1 million. Released by Focus Features, it increased its box-office earnings across 4 consecutive weekends during its summer run.

Inde Navarrette
Inde Navarrette photographed by Frazer Harrison / Getty Images.

A Fandango study released earlier this year also found that Gen Z was the most active generation at the movies: 87% had seen a film in a theater over a year, compared with 82% of millennials, 70% of Gen X and 58% of baby boomers.

Gen Z and millennials each averaged about 7 theater visits annually, compared with 6.1 for Gen X and 5.7 for baby boomers. The study also found that Gen Z spent more per visit on concessions and premium screenings such as Imax.

Fandango executive VP Jerramy Hainline said the research showed how much younger audiences value seeing movies together: “What’s especially notable is how strongly they value the shared, communal aspect of the experience, reinforcing that theaters continue to play an important role as a social destination for younger audiences.”

Meet the author

Chrissy Stockton

Chrissy is the co-founder of Creepy Catalog. She has over 10 years of experience writing about horror, a degree in philosophy and Reiki level II certification.