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Ghost movies and folklore exist in all cultures. Every society has some kind of belief in souls living on after death. For instance, scholar Paul Patterson observes how writing about ghosts from Ancient Rome have similar themes and motifs as they do in modern Hollywood cinema today.
Ghost movies are steeped in the horror genre. However, films about ghosts are virtually made in every single genre from arthouse to comedy to romance, to even beloved family films.
Old Ghost Movies
Comedic legend Bob Hope and legendary screen siren Paulette Goddard team together in a ghost comedy that stars Hope as a radio announcer who seeks to escape false murder changes in New York but winds up stranded on a zombie-filled island. Goddard stars as a beautiful young woman who’s just inherited a haunted mansion on the island, and Hope seeks to win her affection by helping her slay whatever evil spirits infest the building. Thirteen years after its release, Jerry Lewis and Dean Martin starred in a 1953 remake called Scared Stiff.
A composer and his sister can’t understand why they can’t purchase a gorgeous seacoast mansion until they realize it’s haunted. This is one of the earliest ghost story movies and it still holds up in the modern era as a creepy and uncanny movie that is the apex of Gothic cinema and serious haunted house movies. Apparitions, possession, and spooky voices run amok here. Famous director Martin Scorsese says it is one of the scariest films of all time. By modern standards, though, it probably won’t cripple any viewer with a fear beyond belief. The Chicago Reader calls it “An archetypal 40s ghost story, ambitiously decked out in high studio finery, with billowing curtains and other kinds of hyperromantic kitsch.”
The striking absence of horrific ghost films during the Second World War and its aftermath is attributable to the need for the presentation of a positive afterlife, visible through the cycle of comic and romantic films about ghosts and angels that has been retrospectively dubbed ‘film blanc’.Murray Leeder, Horror Film
An eccentric millionaire (horror legend Vincent Price) offers five people $10,000 if they can last a full night in a haunted house as a way to test the paranormal activity happening there. Famous exploitation director William Castle used a gimmick for the film called “Emergo” in which a lighted plastic skeleton on a wire would swoop above the audience. The Emergo skeleton was mothballed after mischievous boys in several theaters realized how fun it was to pelt it with their slingshots. In a negative review, The New York Times says “Chandeliers crash, human heads casually turn up in table boxes, a couple of cackling ghosts scoot around (on roller skates, apparently), and downstairs in the cellar a pool of acid yawns invitingly.”
With a screenplay adapted by William Archibald and Truman Capote, this British horror movie tells the paranormal tale of an estate haunted by ghosts. Deborah Kerr shines as a sexually frustrated governess who slowly realizes that the house and the grounds around it are haunted. The Village Voice suggested that The Innocents may be “the finest, smartest, most visually savvy horror film ever made by a big studio” and that Kerr may have delivered “the most unforgettable performance by a British actress in its decade.”
The film is also a favorite of director Martin Scorsese who has said, “This Jack Clayton adaptation of ‘The Turn of the Screw’ is one of the rare pictures that does justice to Henry James. It’s beautifully crafted and acted, immaculately shot (by Freddie Francis), and very scary.”
Directed by low-budget maestro William Castle and based on the novel The Visitors by Nathaniel Benchley, this film stars TV legend Sid Caesar alongside Vera Miles as a couple who originally suspect that their son is behind a series of disturbing occurrences at their seaside cabin in England. The reality, however, is that a trio of ghosts, furious that these three human intruders had disrupted their calm and peaceful residence. When the humans leave, the ghosts up the ante by doing things such as sinking two boats that belong to the couple’s uncle.
Are there such things as real ghosts? That is the paranormal question that propels the journey of four people as they are called to spend a weekend in a haunted house together and either prove or disprove the presence of a supernatural entity. The ghost that haunts the house is its former owner, Emeric “Roaring Giant” Belasco, a millionaire and depraved killer. But it’s not only haunted by Belasco—it’s also filled with the tormented, ghostly souls of Belasco’s countless victims.
Combining such classic horror-movie tropes such as Satanism, spontaneous combustion, shapeshifting, and “the reveal,” The Legacy tells the story of an American couple who visit England and accidentally find themselves at a massive mansion where several rich and famous individuals have been invited by the owners to determine the mansion’s fate. Karma and reincarnation are major themes in the film. According to TV Guide, “The gore factor is surprisingly high, however, so fans of Grand Guignol may want to watch the various burnings, drownings, and impalements.”
New Ghost Movies
Looking for an over the top and campy 80s movie? Witchtrap, also released under the title The Presence, might do the trick. As so many haunted-house horror movies do, it starts with a group of people heading to a haunted bed and breakfast to try to figure out if there are actual ghosts in the world. These paranormal investigators discover there are ghosts, but as the movie does not make much sense, is the ghost actually a warlock, a male witch and not really a ghost? But they still call it a ghost, or an evil spirit; eh, well, it’s amusing in that cheesy sort of way.
Is this a romantic comedy? Is this a supernatural thriller? Or is this a ghost movie? The early 90s flick is one of the most beloved and best cross-genre movies ever made. It grossed over a half-billion dollars on a measly budget of $22 million, won Oscars for Best Supporting Actress (Whoopi Goldberg) and Best Original Screenplay. Patrick Swayze stars as a young man who was murdered, but whose ghost lingers to warn his lover (Demi Moore) that she is in danger. In Newsweek, David Ansen called the film “a zippy pastiche that somehow manages to seem fresh even though it’s built entirely out of borrowed parts.”
Casper was a family-friendly movie, but captured a much larger audience and became a ghost and haunted house movie beloved by people of all ages. What was it about this narrative that made it so special? Perhaps it was the symbolism within the story: a ghost banished from the world, but a friendly ghost that had no evil spirits in his body and just a desire to connect on the the most human and kind level with the living, yet he couldn’t. In so many ways, we as humans feel like Casper: disconnected, ghostlike, and longing for a connection that always seems denied to us. That is the appeal of Casper, and the fact that it has a happy ending gives it that Disney-feel-good notion that makes it a true family classic.
Bruce Willis stars as Malcolm Crowe, a Philadelphia child psychologist who attempts to help Cole Sear (Haley Joel Osment), a young boy that Crowe thinks is mentally disturbed but is actually able to see ghosts walking around. Roger Ebert said that the movie “has a kind of calm, sneaky self-confidence that allows it to take us down a strange path, intriguingly.”
Director Guillermo del Toro’s masterpiece was originally released in Spanish as El Espinazo Del Diablo. It is set in 1939 as the Spanish Civil War is winding to a close and the fascists are winning. A 12-year-old boy named Carlos arrives at a boys’ orphanage after his father dies. He discovers that the place is haunted and that the ghosts will help the boys if they aid in their fight against the fascists. Roger Ebert praised the film: “Ghosts are more interesting when they have their reasons. They should have unfinished affairs of the heart or soul. The Devil’s Backbone, a mournful and beautiful new ghost story by Guillermo del Toro, understands that most ghosts are sad, and are attempting not to frighten us but to urgently communicate something that must be known so that they can rest.”
This supernatural psychological horror film is a period drama set in 1945 Europe. Nicole Kidman stars as a woman who lives in a dreary and dusty old family house with her two children, both of whom are afflicted with a very rare actual disease (Xeroderma Pigmentosum), which makes them intensely sensitive to sunlight. Over time, the woman finds good reason to suspect that the house is haunted. Calling the film “dark and brooding,” Roger Ebert says “It’s not a freak show but a waiting game, in which an atmosphere of dread slowly envelops the characters—too slowly.”
Way up in the frigid northern climes of the Bering Sea, a ship’s crew finds the remains of a passenger ship that disappeared in 1962. To their dismay, they discover that the ship is haunted. In a mixed review, Roger Ebert says “It breaks no new ground as horror movies go, but it does introduce an intriguing location, and it’s well made technically. It’s better than you expect but not as good as you hope.”
Sarah, a nurse, starts to notice a strange trend in the kids in the children’s hospital. The kids seem to detect an evil spirit of a girl name Charlotte, a young girl that is a vengeful ghost. It turns out that Charlotte is a child who died at the hospital ages ago and seeks to wreak vengeance by injuring and killing the hospital’s current inhabitants. The film was a British-Spanish collaboration and was released in Spanish with the original title Frágiles.
Based on a 1999 Stephen King short story, this film stars John Cusack as an author whose specialty is investigating haunted houses. The film’s title refers to room #1408 in a New York City hotel—where over the past century no one has survived longer than an hour and more than 50 people have been killed. Undaunted, Cusack’s character elects to check in to room #1408 anyway. The Boston Phoenix compared 1408 to a much better-known horror film: “The Shining gets squeezed into the ‘evil’ room of the title in a posh New York hotel — just a notch below the Waldorf Astoria — where some 50 people have perished.”
This is a classic ghost story and often forgotten/obscure ghost movie. This review explains the movie well:
It’s like a Tim Burton/Wes Anderson movie by FFC with Val Kilmer! If that sounds weird it’s because it is, but all the low reviews are just ridiculous. Light in tone but surprisingly dark and occasionally quite affecting this is a very well done film. If you like dark fairy tales and a dreamlike atmosphere then you’ll probably like this. Some scenes of violence that are pretty shocking but overall a really fun time.
Daniel Radcliffe stars as a Victorian-era lawyer who visits a remote haunted mansion in northern England in a quest for the papers of a recently deceased female occupant, only to realize that her ghost is mourning her own dead child by murdering local children. Roger Ebert wrote: “Not since young Hutter arrived at Orlok’s castle in Nosferatu has a journey to a dreaded house been more fearsome than the one in The Woman in Black.“
Based on the real-life story of the Perron family—who, because of Rhode Island law, were not informed that the house they were buying had a sordid history involving multiple suicides and multiple murders—The Conjuring also conjures the real-life story of paranormal investigators Ed and Lorraine Warren, who were called in to determine was was wrong at the haunted Perron farmhouse in 1973 and 1974. The Warrens were also the couple who investigated the murders/hauntings at a house in Long Island that later formed the basis of the Amityville Horror franchise. Giving the film only two stars out of five, the Austin Chronicle says: “The Conjuring uses every parlor trick imaginable to scare up a scream: deafening door-slams, ghostly apparitions, demonic cackling, levitating chairs. The seen-it-all-before elements of this supernatural thriller directed by the filmmaker who gave us Saw, however, are more hoary than horrific. It might as well be retitled The Amityville Exorcist.”
While this ghost movie does have a few jump scares, it is by no means a horror movie. Rather, it is a slow-burn philosophical study of loss, love, death, and grief. Like a Terrence Malick film, it makes you think and ask questions more than it follows a strict narrative structure, making it one of the more surreal ghost films on the list.
A man who has based his entire career on “exposing” psychics—whom he claims are all frauds—is invited to investigate three strange ghost apparitions and finds, to his horror, that he can’t explain them away with reason and sarcasm. RogerEbert.com gave the film a glowing review: “It’s the sound of a creaking door, footsteps when no one else is home, the sudden drop of temperature in the center of a room—these are ghost story elements that will always be timeless, and it’s so refreshing to see a modern horror movie that knows how to use them as well as ‘Ghost Stories.’”
Using found footage in the grand horror tradition of REC, Paranormal Activity, and The Blair Witch Project, this film involves a man named Dylan who plays with a Ouija board and ends up possessed with an evil spirit. A ghost hunter named Andrei takes on the case and seeks to liberate Dylan from the ghost. The “found footage” involves that of ghosts who are captured by surveillance cameras that Andrei has placed throughout the haunted house. Regarding his approach to horror, Director Franck Phelizon told a French reporter: “I play with the fantasies of the public and with their infantile fears.”
After her husband’s unexpected death by suicide, Beth grieves in the beautiful lake home he built for them. Each night she is haunted not only by memories but by strange noises, a stereo that turns itself on and Owen’s presence calling to her from a beyond she happens to know for certain does not exist.
They Live in the Grey is a story of crippling grief told as a supernatural mystery. Claire (Michelle Krusiec), who has always lived in fear because of her ability to see ghosts, is a social worker assigned to investigate a case of child abuse. When she learns that the abuse may come from a supernatural source, Claire is forced to confront her own traumatic past. With solid scares and a bleak atmosphere, They Live in the Grey is a surprisingly effective horror movie.
Anthony Mackie and David Harbour star in We Have a Ghost, a fun family comedy released on Netflix. After moving into a new house, Frank (Mackie) and his family discover that it is haunted. The ghost haunting the house is mute, and Frank’s son Kevin (Jahi Winston) names the spirit Ernest (Harbour). The family soon becomes internet-famous after posting videos of Ernest, leading to a series of adventures.
More Ghost Movies
- The Haunted Castle (1896) from pioneering horror and special-effects master Georges Méliès comes this three-minute oddity featuring Satan conjuring a series of demons.
- The Haunted Curiosity Shop (1901) a two-minute film in which an old man encounters a string of skulls and girls and mummies.
- The Haunted House (1913) a woman offers to marry any man who can spend a night at her house with her; problem is, the house is too scary for any man alive.
- The Phantom Carriage (1921) a scythe-bearing driver of a carriage forces a man to confront his life’s mistakes on New Year’s Eve. This film was a huge influence on Swedish director Ingmar Bergman.
- A Christmas Carol (1938) a film rendering of Charles Dickens’s beloved holiday classic about Scrooge being haunted by the ghost of Christmas past.
- Rebecca (1941) is the first Hollywood production from Alfred Hitchcock and a black and white gothic masterpiece that won the Academy Award for Best Picture and Best Cinematography. It tells the story of a young woman who marries a man, only to discover his house is haunted by his ex-wife.
- The Canterville Ghost (1944) this comedy based on an Oscar Wilde story stars legendary actor Charles Laughton as the ghost.
- The Ghost and Mrs. Muir (1947) a widow who lives by the sea is pestered by the ghost of a dead sea captain.
- Ugetsu (1953) consistently referred to as one of the best films ever made, this Japanese ghost saga draws on stories from French writer Guy de Maupassant.
- Carnival of Souls (1962) this black-and-white low-budget horror classic features the lone survivor of a car crash attempting to navigate a world to which she may no longer belong.
- The Haunting (1963) a group of four people investigate a notoriously haunted house, but the house focuses its attention on one of its guests, Eleanor (Julie Harris).
- Kwaidan (1964) a beautiful Japanese horror classic that features four separate ghost stories.
- Two Thousand Maniacs! (1964) the slaughtered residents of a Southern town reemerge 100 years after the Civil War to kidnap and murder a group of six unsuspecting Northern intruders.
- Burnt Offerings (1976) Karen Black and Oliver Reed ooze sexual tension in this thriller set in a haunted house.
- The Amityville Horror (1979) the first in a staggering dozen and a half films based on the rumored haunting of a Long Island house that was the setting for the real-life murder of a family.
- The Changeling (1980) stars Oscar-winner George C. Scott who buys a creepy old mansion near Seattle to mourn the recent death of his wife and daughter, only to find himself in a haunted house.
- The Shining (1980) stars Jack Nicholson as a man who slowly loses his mind after being tormented by an evil presence that haunts a remote Oregon hotel.
- Poltergeist (1982) Steven Spielberg brings the haunted house genre to a bland and boring California suburb.
- Ghostbusters (1984) this massively successful comedy franchise was launched with this 1984 tale of a group of paranormal investigators attempting to rid a Manhattan building of a ghost infestation.
- Beetlejuice (1988) Michael Keaton stars in this Tim Burton comedy about the “ghost with the most” who attempts to rid a house of an obnoxious family who are tormenting the ghosts of a deceased couple.
- Candyman (1992) to her horror, a student comes face-to-face with a legendary ghoul known as the Candyman, who materializes when you say his name five times in a mirror.
- Stir of Echoes (1999) stars Kevin Bacon as a phone repairman whose son is able to speak with the dead.
- Thirteen Ghosts (2001) involves a family who inherits a mansion from a dead uncle, only to realize it’s already inhabited by several hostile spirits.
- The Ring (2002) involves a haunted videotape that kills anyone exactly one week after they view what’s on it.
- The Grudge (2004) is an English-language remake of the original J-horror film about a house that curses anyone who enters it.
- El Orfanato (2007) was released in English as The Orphanage and focuses on a woman whose son begins communicating with an invisible friend after they move into a former orphanage for handicapped children. This is a scary movie and true horror fans will appreciate how haunting the sound design is.
- Paranormal Activity (2007) tells the story of a couple who move into a suburban home and sets up a surveillance camera to track the weird events that afflict the house.
- Insidious (2010) is a Canadian horror film about a couple’s young son who goes into a trance and becomes a vessel for evil spirits.
- Sinister (2012) is about a true-crime writer who finds clues about a serial killing in a box of old home movies from the 1960s.
- Oculus (2014) a girl attempts to prove that a haunted antique mirror was behind the decade-old murder of her parents.
- Poltergeist (2015) is a remake of the classic Steven Spielberg movie.